Projects DRAF – David Roberts Art Foundation. Exhibition Date: 2. Nov — 2. 3 Nov 2. Contemporary Artists Power Point 1st Day 1. <ul><li>Artists are using their work to investigate issues important to our world. </li></ul><ul><li>Their work can express outrage or hope. </li></ul><ul><li>Contemporary. Jenny Holzer (* 29. Juli 1950 in Gallipolis, Ohio) ist eine US-amerikanische Konzeptkünstlerin.
The Harder You Look is a temporaryart institute that takes inspiration from and follows the procedures of scientific research as a tool for thinking and producing collaboratively. Students and specialists meet in London to discuss the specificity of perception in its relation to contemporary artworks. What are the parameters that come into play when looking at a work of art? What does instigate or affect its reading? How and when does the work reveal itself? What does its context or history bring? What about its location or its position as part of a collection? What is it that we have in front of our eyes and what happens when we look harder? Truisms Jenny Holzer Pdf Editor![]() The Harder You Look focuses on the various aspects of the context that generates a work and traces its relation back to the viewer. WHO WE ARECollecting Matters is a partnership between three Foundations that marks a collective commitment to encouraging new ways of thinking, sharing and producing knowledge about collections. Founded in 2. 01. Kadist Art Foundation (Paris), Nomas Foundation (Rome) and David Roberts Art Foundation (London), Collecting Matters wishes to develop an exchange on notions of collection/collecting through an interdisciplinary curatorial fellowship. Contemporary Art Heritage Flanders (CAHF) is a research environment and knowledge platform built around the collections of the 4 leading contemporary art museums in Flanders, Belgium: S. WOLFGANG TILLMANS. www.tillmans.co.uk www.betweenbridges.net. 1968 Born in Remscheid, Germany; 1987–1990 Lives and works in Hamburg; 1990–1992 Studies at Bournemouth and Poole College of Art and Design, Bournemouth, UK. Modern art after 1940 1. Modern to Contemporary Art European and American After 1945 2. World War II and Its Aftermath <ul><li>Understand the shift of the Western art center from Paris to New York as a result of. Jenny Holzer (born July 29, 1950) [1] is an American Neo-conceptual art artist who utilizes the rhetoric of modern information systems so as to address the politics of discourse. In 1989 she became the first female artist to. Truisms Jenny Holzer Pdf WriterM. A. K. (Ghent), Mu. ZEE (Ostend), M HKA & Middelheimmuseum (Antwerp). Through a series of projects and actions (workshops, symposia, publications, exhibitions) CAHF both questions and strengthens the institutional practice of collecting, by accommodating dialogue and collaboration between its 4 partner museums and an international community of art professionals. The Harder You Look is curated by Nicoletta Lambertucci (DRAF) & Pieternel Vermoortel (CAHF) in collaboration with the participating institutions. PROGRAMMEEVENTS AND TALKS ARE FREE. ALL WELCOMEWEDNESDAY 2. NOVEMBER FROM 6. 3. TO 9. 3. 0PM – A PERFORMANCE AND A PANEL DISCUSSION CHAIRED BY LOUISA BUCKWe will start the evening with a composition for percussion and voice by the American composer Frederic Rzewski, To The Earth, from 1. George Barton. It will be followed by case studies from the participating institutions, which will each address issues of responsibility to artworks within a collection. The panel will discuss amongst other concerns, de- collecting, lost works, and the tension between domestic and public spaces. THURSDAY 2. 1 NOVEMBER FROM 6. TO 8. PM – JONATHAN LAHEY DRONSFIELD IN CONVERSATION WITH IAN KIAERThe format of this evening will consist of a 4. Jonathan Lahey Dronsfield and artist Ian Kiaer. It will be followed by a question and answer session. The guests will present, with examples from their work the back- and- forth between object and theory. FRIDAY 2. 2 NOVEMBER FROM 6. TO 8. PM – MICHELE ROBECCHI AND SKYE SHERWIN ON MARCEL BROODTHAERS AND FELIX GONZALEZ- TORRES AND THE ROLE OF THE CRITICAn investigation into how critical discourse is constructed, conducted and presented in relation to the works of Marcel Broodthaers and FГ©lix Gonz. ГЎlez- Torres featured in Orpheus Twice (the current exhibition at DRAF). SATURDAY 2. 3 NOVEMBER FROM 6. TO 8. PM – WAYS OF LOOKING (HARDER) BY OSSIAN WARDOssian Ward discusses the ideas behind his new book (tentatively titled Ways of Looking: Contemporary Art Explained, published 2. John Berger: Ways of Seeing from 1. ABOUT THE HARDER YOU LOOKRunning parallel to these events The Harder You Look also incorporates a timetabled series of events for a selected group of 2. Belgium, France, Italy and the UK. Each day will focus on a binary structure: image/work, conservation/restoration, presentation/representation. DAY 1 – THE HARDER YOU LOOK…THE IMAGE OR THE WORK2. November 2. 01. 3The first day is dedicated to the investigation of the distinction between the work and its image. What is that image that we create in our mind when thinking about a work of art? How does this image corresponds to its physical reality? The highlights of the day include a presentation by artist Manon de Boer, a lecture by artist Mark Leckey, and novelist Tom Mc. Carthy in conversation with Pieternel Vermoortel. DAY 2 – THE HARDER YOU LOOK… CONSERVATION ANALYSIS2. November 2. 01. 3What does constitute the work, when does it reveal itself and what elements need to be in place for it to be able to be perceived. Be it through interpretation, through conservation, through memory, through reenactment. What is it that makes the work perceptible and what readings should be preserved. The programme of the day features a video interview with artist Artie Vierkant and presentations by curator Claire Louise Staunton, and a lecture by critic Camiel van Winkel. DAY 3 - В THE HARDER YOU LOOK… PRESENTATION OR REPRESENTATION2. November 2. 01. 3As we continously try to come closer to the actual work we look at what the context brings to it, and when representation potentially merges with its presentation. The programme of the day includes a video interview with artist Matthew Day Jackson, presentations by curator Lisa Le Feuvre, and a lecture by artist Marie Lund. ABOUT THE SPEAKERSPercussionist George Barton has studied at Oxford University and the St Petersburg Conservatoire, and is currently enrolled on the Artist Diploma course at the Guildhall School of Music and Drama. A Britten- Pears Young Artist, he has worked with the Colin Currie Group and the Birmingham Contemporary Music Group among other ensembles. Recent projects include Morton Feldman’s 4- hour trio. В For Philip Guston. В at the David Roberts Art Foundation,В Karlheinz Stockhausen’s. В Kontakte. В as the headline act of Nonclassical’s “Pioneers of Electronic Music” festival, and Iannis Xenakis’s Psappha at the Southbank Centre’s The Rest Is Noise festival. Manon de Boer (born 1. Kodaicanal, India) completed her artistic education at the Akademie Van Beeldende Kunsten, Rotterdam, and at the Rijksakademie van Beeldende Kunsten in Amsterdam. Using personal narration and musical interpretation as both method and subject, de Boer explores the relationship between language, time, and truth claims to produce a series of portrait films in which the film medium itself is continuously interrogated. Her work has been exhibited internationally, at the Venice Biennial (2. Berlin Biennial (2. Sao Paolo Biennial (2. Documenta (2. 01. Hong Kong, Marseille, Rotterdam and Vienna. Her work has been the subject of monographic exhibitions at Witte de With in Rotterdam (2. Frankfurter Kunstverein (2. London South Gallery (2. Index in Stockholm (2. Contemporary Art Museum of St Louis (2. Museum of Art Philadelphia (2. De Boer currently teaches at the School of Arts in Ghent and ERG in Brussels. She lives and works in Brussels. Louisa Buck MA Cantab, MA Courtauld Institute, is a writer and broadcaster on contemporary art. Since 1. 99. 7 she has been London Contemporary Art Columnist for The Art Newspaper, and is a regular reviewer on BBC radio and TV, including Front Row, Nightwaves and BBC World Service. Other outlets include Vogue, Art Quarterly, Sotheby’s Magazine, The Guardian and The Sunday Telegraph and she is the author of a number of catalogue essays for institutions including Tate, Whitechapel Gallery, ICA London and Stedelijk Museum Amsterdam. Her. В books include Relative Values or What’s Art Worth? Philip Dodd) (BBC Books 1. Moving Targets 2: A User’s Guide to British Art Now (Tate 2. Market Matters: The Dynamics of the Contemporary Art Market (Arts Council England 2. Owning Art: The Contemporary Art Collector’s Handbook (co- authored with Judith Greer) (Cultureshock Media 2. Her latest book, Commissioning Contemporary Art : A Handbook for Curators, Collectors and Artists was published by Thames & Hudson in October 2. Louisa was a judge for the 2. Turner Prize. Jonathan Lahey Dronsfield is a philosopher and, if there is such a thing, an artist- philosopher. He has published widely in continental philosophy of art, ethics, responsibility, on Derrida, Deleuze, Ranci. ГЁre, Nancy, Lyotard, Heidegger, Nietzsche and Kant; and at the same time he has given many readings of what he calls performative texts in galleries, including Wilkinson (‘Where narrative stops’), Focal Point (‘Goldmine ten theses on music’), Stroom (‘The swerve of freedom after Spinoza’), and Extra City (‘Philosophers enowning that there be no own’); and he collaborates with artists, notably Ian Kiaer, Beno. Г®t Maire, and Gregory Maass & Nayoungim. Dronsfield is Reader in Theory and Philosophy of Art at the University of Reading, and sits on the board of the Forum for European Philosophy at the LSE. Martin Germann is senior curator at S. M. A. K., the Museum of Contemporary Art in Ghent since autumn 2. At least he organised various collection presentations as well as solo shows with Rachel Harrison and Jordan Wolfson. From 2. 00. 8 and 2. Hanover, where he worked on exhibitions and publications with artists like Micha. Г«l Borremans, Michael Sailstorfer, Elke Krystufek, Larry Sultan, Aaron Curry, Julian GГ¶the, or Joachim Koester. He was also part of the curatorial team for вЂMade in Germany Zwei’, a survey show of young international art at kestnergesellschaft, Kunstverein Hannover and Sprengel Museum (2. Prior to his position at Buero Friedrich, Berlin (2. Gagosian Gallery, Berlin, a project space of the 4th Berlin Biennial for Contemporary Art (2. At the 3rd Berlin Biennial (2. Biennial. He regularly publishes in books, exhibition catalogues and magazines, and has written on artists such as Kai Althoff, Dirk Braeckman, or Mathias Poledna. He is also a visiting lecturer at HISK – The Higher Institute of Arts, Ghent. Ilaria Gianni is a curator and writer based in Rome. Since 2. 00. 9 she has been co- director of Nomas Foundation, along with Cecilia Canziani.
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